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Carl Maria von Weber
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Carl Maria von WeberGermany

Carl Maria Friedrich Ernst von Weber was a German composer, conductor, pianist, guitarist and critic, and was one of the first significant composers of the Romantic school.

Weber's operas Der Freischütz, Euryanthe, and Oberon greatly influenced the development of the Romantic opera in Germany. Der Freischütz came to be regarded as the first German "nationalist" opera, Euryanthe developed the Leitmotif technique to an unprecedented degree, while Oberon may have influenced Mendelssohn's music for A Midsummer Night's Dream and, at the same time, revealed Weber's lifelong interest in the music of non-Western cultures. This interest was first ...read more
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  • Get Featured
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Top Casting Suggestions

Carl Maria von Weber has been suggested to play 4 roles. Click below to see other actors suggested for each role, and vote for who you think would play the role best.

  • Carl Maria von Weber

    as

    Additional Music

    of

    Attack on Titan: Fall of Eden

    1 Yes

    0 No

    Additional Music in Attack on Titan: Fall of Eden
    Attack on Titan: Fall of Eden
  • Carl Maria von Weber

    as

    Additional Music

    of

    Terminator 2: Judgement Day (2018)

    1 Yes

    0 No

    Additional Music in Terminator 2: Judgement Day (2018)
    Terminator 2: Judgement Day (2018)

Biography

Carl Maria Friedrich Ernst von Weber was a German composer, conductor, pianist, guitarist and critic, and was one of the first significant composers of the Romantic school. Weber's operas Der Freischütz, Euryanthe, and Oberon greatly influenced the development of the Romantic opera in Germany. Der Freischütz came to be regarded as the first German "nationalist" opera, Euryanthe developed the Leitmotif technique to an unprecedented degree, while Oberon may have influenced Mendelssohn's music for A Midsummer Night's Dream and, at the same time, revealed Weber's lifelong interest in the music of non-Western cultures. This interest was first manifested in Weber's incidental music for Schiller's translation of Gozzi's Turandot, for which he used a Chinese melody, making him the first Western composer to use an Asian tune that was not of the pseudo-Turkish kind popularized by Mozart and others.
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