Stories by @jaxyb

A Rip Through Time

MAY 20, 2019: Homicide detective Mallory Atkinson is in Edinburgh to be with her dying grandmother. While out on a jog one evening, Mallory hears a woman in distress. She’s drawn to an alley, where she is attacked and loses consciousness. MAY 20, 1869: Housemaid Catriona Mitchell had been enjoying a half day off, only to be discovered that night strangled and left for dead . . . exactly one hundred and fifty years before Mallory is strangled in the same spot. When Mallory wakes up in Catriona’s body in 1869, she must put aside her shock and adjust quickly to her new reality: life as a housemaid to an undertaker in Victorian Scotland. She soon discovers that her boss, Dr. Gray, also moonlights as a medical examiner and has just taken on an intriguing case, the strangulation of a young man, similar to the attack on herself. Her only hope is that catching the murderer can lead her back to her modern life . . . before it’s too late. In A Rip Through Time, New York Times bestselling author Kelley Armstrong introduces a brand-new series mixing mystery, romance, and fantasy with thrilling results.

A Darkness Absolute

When experienced homicide detective Casey Duncan first moved to the secret town of Rockton, she expected a safe haven for people like her, people running from their past misdeeds and past lives. She knew living in Rockton meant living off-the-grid completely: no cell phones, no Internet, no mail, very little electricity, and no way of getting in or out without the town council’s approval. What she didn’t expect is that Rockton comes with its own set of secrets and dangers. Now, in A Darkness Absolute, Casey and her fellow Rockton sheriff’s deputy Will chase a cabin-fevered resident into the woods, where they are stranded in a blizzard. Taking shelter in a cave, they discover a former resident who’s been held captive for over a year. When the bodies of two other women turn up, Casey and her colleagues must find out if it’s an outsider behind the killings or if the answer is more complicated than that...before another victim goes missing. Casey Duncan returns in another heart-racing thriller from #1 New York Times bestselling author Kelley Armstrong.

City of the Lost

Casey Duncan is a homicide detective with a secret: when she was in college, she killed a man. She was never caught, but he was the grandson of a mobster and she knows that someday this crime will catch up to her. Casey's best friend, Diana, is on the run from a violent, abusive ex-husband. When Diana's husband finds her, and Casey herself is attacked shortly after, Casey knows it's time for the two of them to disappear again. Diana has heard of a town made for people like her, a town that takes in people on the run who want to shed their old lives. You must apply to live in Rockton and if you're accepted, it means walking away entirely from your old life, and living off the grid in the wilds of Canada: no cell phones, no Internet, no mail, no computers, very little electricity, and no way of getting in or out without the town council's approval. As a murderer, Casey isn't a good candidate, but she has something they want: She's a homicide detective, and Rockton has just had its first real murder. She and Diana are in. However, soon after arriving, Casey realizes that the identity of a murderer isn't the only secret Rockton is hiding―in fact, she starts to wonder if she and Diana might be in even more danger in Rockton than they were in their old lives. An edgy, gripping crime novel from bestselling urban fantasy writer Kelley Armstrong, City of the Lost boldly announces a major new player in the crime fiction world.

Schemes and Scandals

It’s Mallory Atkinson’s first Christmas in Scotland. Victorian Scotland, that is. Also, as the twenty-first-century detective learns, Christmas really isn’t a thing in Victorian Scotland. It’s all about Hogmanay. But her boss, Dr. Duncan Gray, treats her to an early gift of tickets to the event of the season: a Charles Dickens reading. There, they bump into Lady Inglis—the lovely widow who has sent Gray sexy letters trying to entice him back to her bed. Lady Inglis introduces Mallory to Dickens—the meeting of a lifetime—but in return she wants their help. She’s being blackmailed. Someone stole letters she wrote to another lover and is threatening to publish them. Mallory isn’t sure what to make of Lady Inglis, but no woman deserves that, so she insists on taking the case with or without Gray’s help. Growing tension between them soon tells Mallory that Gray is hiding a secret of his own. She has until Hogmanay to uncover the blackmailer…and, hopefully, to put things right with Gray so they can enjoy the holiday together. Note this is not a full-length novel. It's a novella set after Disturbing the Dead.

Disturbing the Dead

Disturbing the Dead is the latest in a unique series with one foot in the 1860s and the other in the present day. The Rip Through Time crime novels are a genre-blending, atmospheric romp from New York Times bestselling author Kelley Armstrong. Victorian Scotland is becoming less strange to modern-day homicide detective Mallory Atkinson. Though inhabiting someone else’s body will always be unsettling, even if her employers know that she’s not actually housemaid Catriona Mitchell, ever since the night both of them were attacked in the same dark alley 150 years apart. Mallory likes her job as assistant to undertaker/medical examiner Dr. Duncan Gray, and is developing true friends—and feelings—in this century. So, understanding the Victorian fascination with death, Mallory isn't that surprised when she and her friends are invited to a mummy unwrapping at the home of Sir Alastair Christie. When their host is missing when it comes time to unwrap the mummy, Gray and Mallory are asked to step in. And upon closer inspection, it’s not a mummy they’ve unwrapped, but a much more modern body.

Cocktails and Chloroform

For modern-day detective Mallory Atkinson, being trapped in the body of a Victorian housemaid means overcoming endless obstacles. Her current challenge is winning over the suspicious young parlormaid, Alice. Mallory’s plan starts with teaching the girl to make Molotov cocktails, which is a perfectly valid science experiment and not at all a desperate ploy to gain Alice’s attention. Before the lesson can begin, though, Alice receives a letter that has her slipping off in the night. Concerned for her safety—and naturally curious—Mallory follows. Mallory finds Alice at what seems like a simple dance hall, watching young men and women flirting and whirling in pretty dresses and dapper suit-coats. But nothing here is what is seems, and what starts as a simple surveillance exercise turns into a full-scale spy mission with Mallory’s boss, Dr. Duncan Gray, at her side. Before the evening is done, those Molotov cocktails are probably going to come in handy. Note this is not a full-length novel. It's a novella set after The Poisoner's Ring.

The Poisoner’s Ring

A modern-day homicide detective is working as an undertaker's assistant in Victorian Scotland when a serial poisoner attacks the men of Edinburgh and leaves their widows under suspicion. Edinburgh, 1869: Modern-day homicide detective Mallory Atkinson is adjusting to her new life in Victorian Scotland. Her employers know she’s not housemaid Catriona Mitchell―even though Mallory is in Catriona’s body―and Mallory is now officially an undertaker’s assistant. Dr. Duncan Gray moonlights as a medical examiner, and their latest case hits close to home. Men are dropping dead from a powerful poison, and all signs point to the grieving widows… the latest of which is Gray’s oldest sister. Poison is said to be a woman’s weapon, though Mallory has to wonder if it’s as simple as that. But she must tread carefully. Every move the household makes is being watched, and who knows where the investigation will lead. New York Times bestselling author Kelley Armstrong is known for her exquisite world building, and this latest series is no exception. The Poisoner's Ring brings the intricacies of Victorian Scotland alive as Mallory again searches for a 19th-century killer as well as a way home.