Stories by @emilycox

Pineapple Street

Old money. New family . . . Pineapple Street in Brooklyn Heights is one of New York City's most desirable residences, and home to the glamorous and well-connected Stockton family . . . Darley, the eldest daughter, has never had to worry about money. She followed her heart, trading her job and her inheritance for motherhood - but ended up sacrificing more of herself than she ever intended. Sasha is marrying into the wealthy Stockton family, who are worlds apart from her own. She feels like the outsider, trying to navigate their impenetrable traditions and please her new mother-in-law - plus her hesitancy to sign a pre-nup has everyone questioning her true intentions. Georgiana, the youngest, is falling in love with someone she can't (and really shouldn't) have - and is forced to confront the kind of person she wants to be.

The Girls

Evie Boyd is fourteen and desperate to be noticed. It’s the summer of 1969 and restless, empty days stretch ahead of her. Until she sees them. The girls. Hair long and uncombed, jewelry catching the sun. And at their centre, Suzanne, black-haired and beautiful. If not for Suzanne, she might not have gone. But, intoxicated by her and the life she promises, Evie follows the girls back to the decaying ranch where they live. Was there a warning? A sign of what was coming? Or did Evie know already that there was no way back?

Really Good, Actually

Maggie’s marriage has ended just 608 days after it started, but she’s fine – she’s doing really good, actually. Sure, she’s alone for the first time in her life, can’t afford her rent and her obscure PhD is going nowhere . . . but at the age of twenty-nine, Maggie is determined to embrace her new status as a Surprisingly Young Divorcée™. Soon she’s taking up ‘sadness hobbies’ and getting back out there, sex-wise, oversharing in the group chat and drinking with her high-intensity new divorced friend Amy. As Maggie throws herself headlong into the chaos of her first year of divorce, she finds herself questioning everything, including: Why do we still get married? Did I fail before I even got started? How many Night Burgers until I’m happy?

The Birdcage

When half-sisters Lauren, Flora, and Kat are unexpectedly summoned to the Cornish house where they spent their childhood summers, it's the first time they've dared return. Because the wild cliffs and windswept beaches hide a twenty-year-old secret. The truth about what they did. Someone who remembers them lurks in the shadows, watching their every move.

Luster

Edie is just trying to survive. She’s messing up in her dead-end admin job in her all-white office, is sleeping with all the wrong men, and has failed at the only thing that meant anything to her, painting. No one seems to care that she doesn’t really know what she’s doing with her life beyond looking for her next hook-up. And then she meets Eric, a white middle-aged archivist with a suburban family, including a wife who has sort-of-agreed to an open marriage and an adopted black daughter who doesn’t have a single person in her life who can show her how to do her hair. As if navigating the constantly shifting landscape of sexual and racial politics as a young black woman wasn’t already hard enough, with nowhere else left to go, Edie finds herself falling head-first into Eric’s home and family.

Friends 2022

Recasting Friends

Children of Paradise

When Holly applies for a job at the Paradise - one of the city's oldest cinemas, squashed into the ground floor of a block of flats - she thinks it will be like any other shift work. She cleans toilets, sweeps popcorn, avoids the belligerent old owner, Iris, and is ignored by her aloof but tight-knit colleagues who seem as much a part of the building as its fraying carpets and endless dirt. Dreadful, lonely weeks pass while she longs for their approval, a silent voyeur. So when she finally gains the trust of this cryptic band of oddballs, Holly transforms from silent drudge to rebellious insider and gradually she too becomes part of the Paradise - unearthing its secrets, learning its history and haunting its corridors after hours with the other ushers. It is no surprise when violence strikes, tempers change and the group, eyes still affixed to the screen, starts to rapidly go awry...

Believe Me

A British drama student, in New York without a green card, Claire takes the only job she can get: working for a firm of divorce lawyers, posing as an easy pick-up in hotel bars to entrap straying husbands. When one of her targets becomes the subject of a murder investigation, the police ask Claire to use her acting skills to help lure their suspect into a confession. But right from the start, she has doubts about the part she's being asked to play. Is Patrick Fogler really a killer . . . Or the only decent husband she's ever met? And is there more to this set-up than she's being told? And that's when Claire realises she's playing the deadliest role of her life . . .

Idol

For Samantha Miller's young fans - her 'girls' - she's everything they want to be. She's an oracle, telling them how to live their lives, how to be happy, how to find and honour their 'truth'. And her career is booming: she's just hit three million followers, her new book Chaste has gone straight to the top of the bestseller lists and she's appearing at sell-out events. Determined to speak her truth and bare all to her adoring fans, she's written an essay about her sexual awakening as a teenager, with her female best friend, Lisa. She's never told a soul but now she's telling the world. The essay goes viral. But then - years since they last spoke - Lisa gets in touch to say that she doesn't remember it that way at all. Her memory of that night is far darker. It's Sam's word against Lisa's - so who gets to tell the story? Whose 'truth' is really a lie?

Girl Crush

GIRLCRUSH is a dark feminist retelling of Jekyll & Hyde by bestselling author Florence Given. In Given's debut novel, we follow Eartha on a wild, weird and seductive modern-day exploration as she commences life as an openly bisexual woman whilst also becoming a viral sensation on Wonderland, a social media app where people project their dream selves online. The distance between her online and offline self grows further and further apart until something dark happens that leads her into total self-destruction, forcing Eartha to make a choice; which version of herself should she kill off?

Persuasion

The story concerns Anne Elliot, a young Englishwoman of twenty-seven years, whose family moves to lower their expenses and reduce their debt by renting their home to an Admiral and his wife. The wife's brother, Navy Captain Frederick Wentworth, was engaged to Anne in 1806, but the engagement was broken when Anne was "persuaded" by her friends and family to end their relationship. Anne and Captain Wentworth, both single and unattached, meet again after a seven-year separation, setting the scene for many humorous encounters as well as a second, well-considered chance at love and marriage for Anne in her second "bloom".

Pride & Prejudice

'Vanity, not love, has been my folly' When Elizabeth Bennet first meets eligible bachelor Fitzwilliam Darcy, she thinks him arrogant and conceited, while he struggles to remain indifferent to her good looks and lively mind. When she later discovers that Darcy has involved himself in the troubled relationship between his friend Bingley and her beloved sister Jane, she is determined to dislike him more than ever. In the sparkling comedy of manners that follows, Jane Austen shows the folly of judging by first impressions and superbly evokes the friendships, gossip and snobberies of provincial middle-class life.

Careering

Imogen has always dreamed of writing for a magazine. Infinite internships later, Imogen dreams of any job. Writing her blog around double shifts at the pub is neither fulfilling her creatively nor paying the bills. Harri might just be Imogen's fairy godmother. She's moving from the glossy pages of Panache magazine to launch a fierce feminist site, The Know. And she thinks Imogen's most outrageous sexual content will help generate the clicks she needs. But neither woman is aware of the crucial thing they have in common. Harri, at the other end of her career, has also been bitten and betrayed by the industry she has given herself to. Will she wake up to the way she's being exploited before her protégé realises that not everything is copy? Can either woman reconcile their love for work with the fact that work will never love them back? Or is a chaotic rebellion calling...

Now You See Her

Charlotte is looking after her best friend’s daughter the day she disappears. She thought the little girl was playing with her own children. She swears she only took her eyes off them for a second. Now, Charlotte must do the unthinkable: tell her best friend Harriet that her only child is missing. The child she was meant to be watching. Devastated, Harriet can no longer bear to see Charlotte. No one could expect her to trust her friend again. Only now she needs to. Because two weeks later Harriet and Charlotte are both being questioned separately by the police. And secrets are about to surface.

Writers & Lovers

Recently out of a devastating love affair and mourning the loss of her beloved mum, Casey is lost. The novel she has been writing for six years isn’t going anywhere, her debt is soaring, and at thirty-one, with all her friends getting married and having kids, she feels too old for things to be this way. Then she meets Silas. He is kind, handsome, interested. But only a few weeks later, Oscar – older, fascinating, troubled – walks into her life, his two boys in tow. Suddenly Casey finds herself at the point of a love triangle, torn between two very different relationships that promise two very different futures. And she’s still got to write that book . . .

Song of Achilles

Greece in the age of heroes. Patroclus, an awkward young prince, has been exiled to the court of King Peleus and his perfect son Achilles. Despite their differences, Achilles befriends the shamed prince, and as they grow into young men skilled in the arts of war and medicine, their bond blossoms into something deeper - despite the displeasure of Achilles's mother Thetis, a cruel sea goddess. But when word comes that Helen of Sparta has been kidnapped, Achilles must go to war in distant Troy and fulfill his destiny. Torn between love and fear for his friend, Patroclus goes with him, little knowing that the years that follow will test everything they hold dear.

The Night She Disappeared

'Mum, there's some people here from college, they asked me back to theirs. Just for an hour or so. Is that OK?' Midsummer 2017: teenage mum Tallulah heads out on a date, leaving her baby son at home with her mother, Kim. At 11 p.m. she sends her mum a text message. At 4.30 a.m. Kim awakens to discover that Tallulah has not come home. Friends tell her that Tallulah was last seen heading to a pool party at a house in the woods nearby called Dark Place. Tallulah never returns. 2018: walking in the woods behind the boarding school where her boyfriend has just started as a head teacher, Sophie sees a sign nailed to a fence. A sign that says: DIG HERE . . .

Girl A

I am Lex Gracie: but they call me Girl A. I grew up with my family on the moors. I escaped when I was fifteen years old. NOW SOMETHING IS PULLING ME BACK…

Cinderella

Casting the classic fairytale, Cinderella, that doesn’t make your skin crawl.

The Truth about Melody Browne

Melody Browne can remember nothing before her ninth birthday. Now in her early thirties, Melody lives in the middle of London with her seventeen-year-old son. She hasn’t seen her parents since she left home at fifteen, but Melody doesn't mind. She’s better off on her own. And then fragments of her past start to come back. At first her memories mean nothing to her but slowly, day by day, she begins to piece together the real story of her childhood. But with every mystery she solves another one materialises, with every question she answers another appears. And Melody begins to wonder if she'll ever know the truth about her past