Jacques Doillon

The film narrates a utopian abandonment, consensual and festive of the market economy and high productivity. The population decides on a number of resolutions beginning with "We stop everything" and the second "After a total downtime will be revived-reluctantly-that the services and products including lack will prove intolerable. Probably: water to drink, electricity for reading at night, the TSF to say "This is not the end of the world, this is an 01, and now a page of Celestial Mechanics". The implementation of these resolutions is the first day of a new era, Year 01. The Year 01 is emblematic of the challenge of the 1970s and covers such diverse topics as ecology, negation of authority, free love, communal living, rejection of private property and labor.

Auguste Rodin (1840-1917), man of the people, autodidact and revolutionary sculptor - the most brilliant of his era. At 42, Rodin meets Camille Claudel, a young woman desperate to become his assistant. He quickly acknowledges her as his most able pupil, and treats her as an equal in matters of creation.

A four-year-old girl must come to terms with the loss of her mother and the reality of death in this award-winning French drama. Little Ponette (Victoire Thivisol) is riding in a car with her mother when they're involved in a serious accident; Ponette survives, but her mother does not. Her father (Xavier Beauvois) initially reacts with anger over his late wife's careless driving, while her Aunt Claire (Claire Nebout) tries to comfort the child by telling her about Jesus and the resurrection. However, none of this does much to reassure Ponette or clarify her confusion about the practical realities and spiritual dilemma posed by death. In time, Ponette and her cousins Matiaz (Matiaz Caton) and Delphine (Delphine Schiltz) are sent off to boarding school, where they have to resolve their confusion and loss on their own. ~Mark Deming, Rovi