
Age: 45
male
Nicholas Britell (born October 17, 1980) is an American film and television composer. He has received numerous accolades, including an Emmy Award, as well as nominations for three Academy Awards and a Grammy Award. He has received Academy Award nominations for Best Original Score for Barry Jenkins's Moonlight (2016), If Beale Street Could Talk (2018), and Adam McKay's Don't Look Up (2021). He also scored McKay's The Big Short (2015) and Vice (2018). He is also known for scoring Battle of the Sexes (2017), The King (2019), Cruella (2021), and She Said (2022). The HBO original series Succession (2018–2023) marked Britell's entry into television. Britell scored all four seasons, earning the Emmy Award for Outstanding Original Main Title Theme Music in 2019. His scores for the second, third, and fourth seasons of Succession each earned the Primetime Emmy Award for Outstanding Music Composition for a Series nominations in 2020, 2022, and 2023. His score for The Underground Railroad was nominated for the Primetime Emmy Award for Outstanding Music Composition for a Limited or Anthology Series, Movie or Special in 2021. His works, as described by Soraya McDonald of Film Comment, "seem to organically straddle accessibility and sophistication in a way that goes beyond the typical programming of a big-city pops orchestra...That might have something to do with the fact that Britell has long had one foot in the world of hip-hop and another in the world of classical music." Description above from the Wikipedia article Nicholas Britell, licensed under CC-BY-SA, full list of contributors on Wikipedia.

Welcome Home was an American children's television program created and produced by The Playfellow Workshop, which served as the studio’s only production. Supposedly its first episode aired on October 11th, 1969 and was broadcast onto an unknown channel until it’s last estimated air date sometime in 1974. Welcome Home primarily focused on the neighbors, the show’s inhabitants, who were accompanied by a mixture of animated breaks and illustrated story book segments. The setting itself was a colorful and exaggeratedly designed town named "Home" with unique elements like a post office and a bodega, as well as brightly colored creatures that lived within it. Episodes usually began with Wally introducing the focus or theme for the day before coming across other characters who would join him on his escapades until the end of the day, which would signify the end of the show. All of the characters had notable, recurring segments that were sprinkled throughout the entirety of the show’s run, such as Eddie Dear creating arts and crafts, Sally Starlet performing plays, or Wally Darling painting a picture with the help of other members of the cast. The viewer was often regarded as an additional neighbor, with Wally speaking to them on a regular basis.






