
Age: 61
male
Omid Djalili is a British stand-up comedian, actor, television producer and writer. Djalili was born on 30 September 1965 in St Mary Abbots Hospital in Kensington, London, to Iranian Baháʼí parents Ahmad and Parvaneh Djalili. His parents emigrated from Tehran to London in 1958. He has a brother and sister. His mother was a dressmaker who at one point assisted Iranian singer Googoosh. His father was a liaison officer at the Iranian embassy in which he would provide medical assistance. He was also a photographer whose pictures ended up in the newspaper Kayhan. He attended Holland Park School where he failed A-level exams a record six times and faked his results to gain entry to Ulster University in Coleraine, Northern Ireland, studying English and theatre studies having been turned down by 16 drama schools. Djalili cited Jack Lemmon, Dustin Hoffman, Meryl Streep, Robert De Niro, Christopher Walken and Julia Roberts as influences. The first significant success of his stand-up comedy career was at the Edinburgh Festival Fringe in 1995 with "Short, Fat Kebab Shop Owner's Son", followed by "The Arab and the Jew" with Jewish comedian Ivor Dembina in 1996. Djalili has appeared in a number of films, most notably Gladiator, The Mummy, Mean Machine, The World Is Not Enough, Alien Autopsy, Spy Game, Sky Captain and the World of Tomorrow, Grow Your Own, Notting Hill, Mr Nice, Pirates of the Caribbean: At World's End, Sex and the City 2 and provides his voice in Over the Hedge. He has observed that he usually appears as a generic Middle Eastern background character in many of these films, often commenting that he appears in the James Bond film as the "Second Azerbaijani oil pipe attendant". He appeared as Nasim in 22 episodes of the U.S. sitcom Whoopi, starring Whoopi Goldberg, and picked up an international film award for Best Supporting Actor in Casanova, starring alongside Heath Ledger and Jeremy Irons. Djalili has won awards for his comedy. These include the EMMA Award, Time Out Award, and LWT Comedy Award for Best Stand-up Comedian, Spirit of the Fringe Award as well as the One World Media Award for his Channel 4 documentary, Bloody Foreigners. He has also been nominated for awards, such as the Perrier Award for Best Comedian, the Gemini Award for Best Comedy Performance of 2003, the South Bank Award for Best Comedy of 2003, the Royal Television Society Award for Best Stand-up, and the European TV Award for his Bloody Foreigners.

An elderly man reads the book "The Princess Bride" to his sick and thus currently bedridden adolescent grandson, the reading of the book which has been passed down within the family for generations. The grandson is sure he won't like the story, with a romance at its core, he preferring something with lots of action and "no kissing". But the grandson is powerless to stop his grandfather, whose feelings he doesn't want to hurt. The story centers on Buttercup, a former farm girl who has been chosen as the princess bride to Prince Humperdinck of Florian. Buttercup does not love him, she who still laments the death of her one true love, Westley, five years ago. Westley was a hired hand on the farm, his stock answer of "as you wish" to any request she made of him which she came to understand was his way of saying that he loved her. But Westley went away to sea, only to be killed by the Dread Pirate Roberts. On a horse ride to clear her mind of her upcoming predicament of marriage, Buttercup is kidnapped by a band of bandits: Vizzini who works on his wits, and his two associates, a giant named Fezzik who works on his brawn, and a Spaniard named Inigo Montoya, who has trained himself his entire life to be an expert swordsman. They in turn are chased by the Dread Pirate Roberts himself. But chasing them all is the Prince, and his men led by Count Tyrone Rugen. What happens to these collectives is dependent partly on Buttercup, who does not want to marry the Prince, and may see other options as lesser evils, and partly on the other motives of individuals within the groups. But a larger question is what the grandson will think of the story as it proceeds and at its end, especially as he sees justice as high a priority as action.






