Age: 39
male
Wyatt Hawn Russell (born July 10, 1986) is an American actor and former professional ice hockey goaltender. Since 2021, he has played John Walker / U.S. Agent in the Marvel Cinematic Universe media franchise, beginning with the Disney+ series The Falcon and the Winter Soldier(2021) and the film Thunderbolts* (2025). Russell has starred in various films, including Everybody Wants Some!! (2016), Goon: Last of the Enforcers (2017), Overlord (2018) and Night Swim (2024), and also starred roles in television shows including Black Mirror (2016), Lodge 49 (2018–2019), and Monarch: Legacy of Monsters (2023–2024). Description above from the Wikipedia article Wyatt Russell, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Wyatt Russell
US Agent
for US Agent in Fantastic Four: First Steps
Suggested by kingultron2
The Fantastic Four: First Steps (released July 25, 2025) reboot‑reintroduces Marvel’s First Family in an alternate, retro‑futuristic Earth‑828 inspired by 1960s aesthetics. Directed by Matt Shakman, the film skips the traditional origin story, presenting Reed Richards and Sue Storm as established heroes already expecting their first child, Franklin. Their team—including Ben Grimm (The Thing) and Johnny Storm (Human Torch)—must suddenly confront the cosmic threat of Galactus and his herald, Silver Surfer (Shalla‑Bal). The story mainly revolves around the family’s struggle to protect Earth by constructing massive teleportation “bridges” that could relocate the entire planet—and ultimately leveraging Franklin’s nascent reality‑warping powers to outwit the world‑devouring deity . Critics have praised the film’s vibrant production design, nostalgic tone, and strong performances—especially by Pedro Pascal (Reed), Vanessa Kirby (Sue), Ebon Moss‑Bachrach (Ben), and Joseph Quinn (Johnny)—but many fault it for its more serious, exposition‑heavy storytelling and minimal character arc development. Reviews note that humor and emotional nuance—hallmarks of previous Fantastic Four adaptations—are largely absent, creating a more somber, streamlined tone. Still, the retro‑futuristic visuals, Michael Giacchino’s score, and a hopeful message about family and unity elevate it as a “promising revitalization” of the franchise, even if it feels tonally uneven at times.
