Ana de Armas

Age: 38

female

Ana Celia de Armas Caso (Spanish pronunciation:[ˈana ˈselja ðe ˈaɾmas ˈkaso]; born 30 April 1988) is a Cuban, American and Spanish actress. She began her career in Cuba with a leading role in the romantic drama Una rosa de Francia (2006). At 18, she moved to Madrid, Spain, and starred in the popular drama El Internado (2007–2010). After moving to Los Angeles, de Armas had English-speaking roles in the psychological thriller Knock Knock (2015) and the comedy-crime film War Dogs (2016). De Armas rose to prominence for her roles as the holographic AI Joi in the science fiction film Blade Runner 2049 (2017) and nurse Marta Cabrera in the mystery film Knives Out (2019), receiving a Golden Globe Award nomination for Best Actress – Motion Picture Comedy or Musical. She then played Bond girl Paloma in the James Bond film No Time to Die (2021) and actress Marilyn Monroe in the biographical drama Blonde (2022), for which she became the first Cuban nominated for the Academy Award for Best Actress. She then led the action thriller Ballerina (2025), a spin-off instalment in the John Wick franchise. Description above from the Wikipedia article Ana de Armas, licensed under CC-BY-SA, full list of contributors on Wikipedia.

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Fan Casting

Ana de Armas

Summer Hamilton

for Summer Hamilton in Flawless

Suggested by averyeagle

Flawless

The rules were simple. Keep my hands off his daughter and stay out of trouble. But now I’m stuck with her. There’s only one bed. And well, rules are made to be broken. I’m the face of professional bull riding—the golden boy. Or at least I was, until it all blew up in my face. Now my agent says I have to clean up my image, so I’m stuck with his ball-busting daughter for the rest of the season as my “full-time supervision.” But I don’t need a goddamn babysitter, especially one with skin-tight jeans, a sexy smirk, and a mouth she can’t stop running. A mouth I can’t stop thinking about. Because Summer isn’t just another conquest. She sees the man behind the mask, and she doesn’t run—she pulls me closer, even when she shouldn’t. She says this means nothing. I say this means everything. She says there are boundaries we shouldn’t cross. That my reputation can’t take any more hits—and neither can her damaged heart. I say I’m going to steal it anyway.

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