
Age: 51
male
Cole Kenneth Hauser (born March 22, 1975) is an American film and television actor. He's best known for his movie roles as Col. Stevens in Transcendence, Roma in Olympus Has Fallen, Mike Collins in A Good Day to Die Hard, William Cartwright in Tyler Perry's The Family That Preys, Lupus Grobowski in The Break-up, Carter Verone in 2 Fast 2 Furious, James 'Red' Atkins in Tears of the Sun, Staff Sgt. Vic Bedford in Hart's War, William Johns in Pitch Black, Billy McBride in Good Will Hunting, Benny O'Donnell in Dazed and Confused, and Jack Connors in School Ties. His best known TV roles are as Rip Wheeler on Paramount TV's western drama Yellowstone, Charlie Siringo on Lifetime TV's The Lizzie Borden Chronicles, Ethan Kelly on Audience Network's drama Rogue, US Marshall Jimmy Godfrey on NBC's drama Chase, and Officer Randy Willitz on ABC's police drama High Incident. His paternal grandfather was Dwight Hauser, a screenwriter, actor and film producer. His maternal grandfather was Milton Sperling, a screenwriter and film producer for 20th Century Fox and Warner Bros. His great-grandfather was Harry Warner, who was a studio executive, one of the founders of Warner Bros.(with his 3 younger brothers), and a major contributor to the development of the film industry.

Cole Hauser

CPT ANDREW BATES
for CPT ANDREW BATES in BILL WILLIAMSON
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Synopsis Bill Williamson is no longer the raw, impulsive fugitive the world remembers. He is thinner, darker, more tactical, and increasingly fractured by guilt, flashbacks, and the memory of who he once was before violence swallowed him. He moves erratically across the Canadian border and into the rural American South, hiding in plain sight while trying to outrun the manhunt and his own breakdown. In Baton Rouge, Bill encounters a street gang that is already in conflict with a rival white supremacist crew. Rather than immediately becoming a kingpin, Bill inserts himself as a covert force multiplier: he helps the street gang become harder to track, more disciplined, and more elusive, all while staying in the shadows. His methods draw the attention of a local police captain, a young lead detective, and federal agents who begin to sense that the gang’s sudden sophistication is not organic. As the pressure rises, Bill’s mind deteriorates further. Flashbacks of his pre-rampage life reveal the decent, caring man he used to be, especially in relation to his mother, and the audience sees the human being buried under myth, rage, and damage. By the end, law enforcement realizes they are not simply chasing a criminal—they are facing a destabilizing force moving through multiple systems at once. The film ends with Bill still alive, still hunted, and still deeply unresolved, leaving the door open for a longer series or sequel arc.