
Died at 119
male
John Marcellus Huston (August 5, 1906 – August 28, 1987) was an American film director, screenwriter, actor, and visual artist. He wrote the screenplays for most of the 37 feature films he directed, many of which are today considered classics: The Maltese Falcon (1941), The Treasure of the Sierra Madre (1948), The Asphalt Jungle (1950), The African Queen (1951), The Misfits (1961), Fat City (1972), The Man Who Would Be King (1975) and Prizzi's Honor (1985). In his early years, Huston studied and worked as a fine art painter in Paris. He explored the visual aspects of his films throughout his career, sketching each scene on paper beforehand, then carefully framing his characters during the shooting. While most directors rely on post-production editing to shape their final work, Huston instead created his films while they were being shot, with little editing needed. Some of Huston's films were adaptations of important novels, often depicting an "heroic quest," as in Moby Dick, or The Red Badge of Courage. In many films, different groups of people, while struggling toward a common goal, would become doomed, forming "destructive alliances," giving the films a dramatic and visual tension. Many of his films involved themes such as religion, meaning, truth, freedom, psychology, colonialism, and war. Huston has been referred to as "a titan", "a rebel", and a "renaissance man" in the Hollywood film industry. Author Ian Freer describes him as "cinema's Ernest Hemingway"—a filmmaker who was "never afraid to tackle tough issues head on." During his 46-year career, Huston received 15 Oscar nominations, winning twice. He directed both his father, Walter Huston, and daughter, Anjelica Huston, to Oscar wins. Description above from the Wikipedia article John Huston, licensed under CC-BY-SA, full list of contributors on Wikipedia.

John Huston

Greatest Generation (GI Generation)
for Greatest Generation (GI Generation) in Best by Generation
Suggested by gustavosoaresdemorales

The Strauss–Howe generational theory, devised by William Strauss and Neil Howe, describes a theorized recurring generation cycle in American history and Western history. According to the theory, historical events are associated with recurring generational personas (archetypes). Each generational persona unleashes a new era (called a turning) lasting around 20–25 years, in which a new social, political, and economic climate (mood) exists. An average life is 80 years and consists of four periods of ~20–22 years Childhood → Young adult → Midlife → Elderhood A generation is an aggregate of people born every ~20–22 years Baby Boomers → Gen X → Millennials → Homelanders Each generation experiences "four turnings" every ~80–90 years High → Awakening → Unraveling → Crisis A generation is considered "dominant" or "recessive" according to the turning experienced as young adults. But as a youth generation comes of age and defines its collective persona an opposing generational archetype is in its midlife peak of power. Dominant: independent behavior + attitudes in defining an era Recessive: dependent role in defining an era https://en.wikipedia.org/wiki/Strauss%E2%80%93Howe_generational_theory





