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Lobna Abdel Aziz
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Lobna Abdel Aziz Egypt

Age: 89

born August 1, 1935

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Lobna Abdel Aziz (Arabic: لبنى عبد العزيز; born August 1, 1935) is an Former Egyptian actress. Lobna began acting through the university's acting team, where she presented theatrical performances on the university's stage that drew the attention of theater critics to her acting talent, as happened when she presented the play The Three Sisters by Anton Chekhov. She began her professional career in a leading role opposite Abdel Halim Hafez in The Empty Pillow (1957), which she starred in radio before. During her cinematic career, Lobna Abdel Aziz starred in 18 films, the most notable of which are: The Empty Pillow (1957), This is Love (1958), I Am Free (1959), Oh Islam (1961), The Love of the Masters (1961), Oh from Eve (1962), Letter from an Unknown Woman (1962), Bride of the Nile (1963), Slalom (1965), The Beggar’s Strike (1967), The Vandals (1967), and The Defect (1967).

  • Category
    Actor/Actress
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  • Hair Color
    Brown
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  • Hair Length
    Long
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  • Eye Color
    Brown
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  • Height
    5' 1"
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  • Ethnicity
    Middle Eastern
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  • Body Type
    Slim
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  • Nationality
    Egypt
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Biography

Lobna Abdel Aziz (Arabic: لبنى عبد العزيز; born August 1, 1935) is an Former Egyptian actress. Lobna began acting through the university's acting team, where she presented theatrical performances on the university's stage that drew the attention of theater critics to her acting talent, as happened when she presented the play The Three Sisters by Anton Chekhov. She began her professional career in a leading role opposite Abdel Halim Hafez in The Empty Pillow (1957), which she starred in radio before. During her cinematic career, Lobna Abdel Aziz starred in 18 films, the most notable of which are: The Empty Pillow (1957), This is Love (1958), I Am Free (1959), Oh Islam (1961), The Love of the Masters (1961), Oh from Eve (1962), Letter from an Unknown Woman (1962), Bride of the Nile (1963), Slalom (1965), The Beggar’s Strike (1967), The Vandals (1967), and The Defect (1967).